About Me

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Mike Mehalek writes fast-paced lyrical books that can be enjoyed with one reading but have enough substance for re-reading. He brings stories to life that demand to be told, regardless of the hopes/dreams/fears/desires of his characters--the Story first--always the Story.

In 2008 Mike earned his masters degree in writing popular fiction from Seton Hill University

Visit Mike on twitter @mikemehalek
Showing posts with label guest blog. Show all posts
Showing posts with label guest blog. Show all posts

Saturday, January 24, 2015

A New Blog Hop: The Liebster Award OR Ten Questions on my Work in Progress (WIP)

Lisa Arnseth of Writer by Day.Writer by Night. That’s Right. I Write (You should read her blog by the way) tagged me in a ten question blog hop called the Liebster award. This was done waaaaaaaay back in November. I apologize for the slow response time, but I’ve finally got it posted on my blog. 


What’s your WIP all about?
I’m currently calling this WIP the Lying Dog series (but that may change because I’m not in love with it). This series follows a young man by the name of Francis (Frankie), who suffers from Schizoaffective disorder, but Frankie has come to believe that the hallucinations he suffers are actually the thoughts of other people. When he sees bad things happening to people, especially children, he feels compelled to help.


Tell us something you love about your WIP’s main character.
Frankie is a complicated character. He is good at heart, deeply--some would say obsessively--loyal to his loved ones. He is a protector. The compulsion to help others is altruistic, but he is at least partly guided by his previous shortcomings and also by the choices he has made in the past (not helping when he could have). At times failing to help results in bouts of depression but just as often helping someone triggers a bout. You would think he is conflicted when he has to help, but he often finds himself stepping in before his brain has time to catch up. Frankie has a voice in his head, Adam, who offers advice (much of it unsolicited) to Frankie.  Adam is both the angel on Adam’s shoulder and the devil. Frankie is also aware of a spying presence in his head, a specter-voyeur who he occasionally speaks to directly. That phantom would be the reader.

Where do you usually write, and what has been the strangest location where you’ve managed to get some writing done?
I like to write in coffee shops or sandwich shops (read: Starbucks and Panera). I plug in my earbuds (and never, never, never connect to the Wi-Fi) and try to block out distraction. Liking crowds and avoiding distractions sounds like a contradiction, but I like having people around me while I write. I guess it partly serves as white noise, and I like the energy of people around me. Maybe I feed off that energy. Maybe I’m too easily distracted at home with TV and chores and my pug Bella . . . As far as strangest location? Hmm, I’d have to say that I used to scribble out ideas or story parts on cocktail napkins and old menus at a restaurant that I used to work in years ago. I’d scribble stories down in the downtime between tables. I still have those notes and once in a while refer back to them.

What song(s) inspire your WIP?
I listen to a lot of different things when I write. I find that I enjoy soundtracks because sometimes I will stop writing to listen to the lyrics. But lyrics also inspire me when I hit a wall in my writing. I like repetition and sometimes loop the same song. This is especially true for when I am trying to create a feeling in a scene that is the same emotion I feel in a particular song. For my published novel Only Human I used the Gattaca soundtrack as well as Scars by Papa Roach, Far Away by Nickelback, and I Can’t stop Lovin’ You by Van Halen. For Lying Dogs, in addition to Superman (both Five for Fighting and John Williams’ versions), Sympathy for the Devil by the Rolling Stones and We Didn’t Start the Fire by Billy Joel seem to be cropping up on my playlist as I write. Oh and The Teddy Bear Picnic inspired one of the series’ villains. Man, is that song creepy!

What was the first book you ever wrote and what was it about?
My first story was entitled “Dennis the Dinosaur.” I was seven, in Mrs. Martin’s first grade class. The story is surprisingly similar to Only Human. Instead of a dragon, it was a dinosaur (obviously named Dennis) that didn’t really fit in because he was so big (and a dinosaur). He befriends a boy, makes himself invisible, and goes to live in a museum. He lives happily, ever after.

If you saw your main character at a party, how would you react?
Is it just me or is it getting a little meta in here? If I saw Frankie, I would probably try to buy him a drink and let him know that what he does to help people is appreciated and not in vain.  I definitely would NOT let him know that all of the terrible things that has ever happened to him were the result of me writing him into existence.

Do you have experience with online contests, like Pitchwars, etc? Please tell us about it if you have.
At this point, I have not.

Who are two writers you would love to meet in real life?
I don’t know if I can just pick two. David Mitchell, Stephen King, Dean Koontz, Agatha Christie, Neil Gaiman are the first names that come to mind.

What’s your biggest challenge with your WIP? Generally when I write I have a beginning or an end and I start with that. By the time that gets going, my subconscious or my muse or wherever it is where all stories are born and live and wait until us writers get around to writing them has delivered the other end of the story to me and I write that while the middle is packaged up and delivered to my fingertips to translate. Well, that connection seems to be taking an long time to get here. I’ve tried brainstorming and outlining and am about to send out a search party, but so far…no signs. That’s not entirely true. I think the solution lies in a happy middle ground between writing as I go and planning ahead. That, and also giving myself permission to make mistakes as I go. Having read how this story is structured, you can see I may have to eliminate elements or alter them into a viable story-telling manner…Time will tell.

Please share a favorite line from your WIP!

I’ll give you two, both of which could be contenders for opening lines. Both set the tone I think, but both are very different. Which do you prefer?
***
Do you like the smell of gasoline?
I’ve found that there are two people in this world. People who love the smell of gasoline, and those who hate it. Up until today, I’ve been rooted firmly in the camp of the former.
If I live long enough, past today specifically, I may reevaluate this stance.
Because love it or hate it, its pungent, synthetic odor will sure wake your ass up in one hell of a hurry. Let me tell you that.
Especially when you come to as buckets of the stuff are raining down on you.
***
High above the congregation, thin sheets of rain spiral down like failing stars through the heavy morning fog, bursting open upon the collars, scarves and umbrellas of the mourners, miniature bouquets of blooming flowers mirroring those arranged peacefully on the heavy bronze coffin. . . .Suddenly, a gust of wind rips the pastor’s peacoat open, tearing his prayer book from his grasp.  It sails for a moment like a wraith before crashing to the wet earth.  As he bends to retrieve it, a gentle roar of far away thunder adds its rumble to the tolling of the bells.  The rain comes down with stinging force now, hammering liquid nails into skin.
The woman sits straight up and holds her wrinkled paws in front of her face for a moment.  It is as if she is seeing them for the first time.
It is as if the rain had awoken her from a wonderful dream.



Now it’s my turn to write ten questions and tag some writers to play along.

  1. Where did the idea for your current Work-in-Progress (WIP) come from?
  2. Quote a favorite line from one of your favorite books.
  3. Now quote your favorite line from your current WIP
  4. What unique challenges has your current WIP had that your previous ones did not?
  5. If you saw your main character at a party, how would you react?
  6. Who would play your main protagonist/antagonist if your current WIP were made into a movie?
  7.  What are your biggest inspirations for writing?
  8. Summarize your WIP as a haiku.
  9. What role does music play in your writing?
  10. What’s one thing you’ve learned about the craft that you wish you had learned earlier?

Tuesday, July 29, 2014

The Passions of the Heart: Sherry Peters

Welcome Friends of the Trickyverse! So glad you made it :)

Today, is a guest post by Sherry Peters, author of the Ballad of Mabel Goldenaxe series. In this post, Sherry discusses a topic important to every writer but one that is even more meaningful to the indie author. It's something she calls...

The Passions of the Heart

I don’t think it is any great shock for me to say that the publishing industry is in immense flux. It can be incredibly frustrating, but there are also many more opportunities for writers. Along with the changes in the publishing industry has come a booming trade in “How To” books for writers.

There have always been books on how to write different genres and on elements of the craft. There have also been a fair number of books on how to end writer’s block. Now those books on writer’s block have multiplied. There is also an abundance of books on marketing your book, building an author platform, and how to write the next best-seller.

This bombardment of options and advice can leave writers reeling. That’s because so much of what is out there deals with the business end of writing. Even the books on craft spend a lot of time on what editors are looking for, what gets accepted, and what doesn’t. In the end, most writers question their choices on what they should write. Should they write to market? Is it even possible to write something new and still make it as a writer?

Because of all the questioning and pressure, writing stops being fun. Writers find it harder to write. Nothing we write is good enough.

One of the most difficult thing for a writer to do, is to focus soley on the writing during the time they’ve set aside for writing. The distractions of Facebook and checking e-mail are just excuses. Often we find other things to do besides writing because we worry about our work being rejected or if we’re going to make a sale.
It doesn’t have to be that way.

When you set aside a specific time for writing, focus on your writing and the story you want to tell. Most importantly, write what you love.

Writing anything, be it a short story, a novel, or an epic series, means you are going to be spending an awful lot of time with those characters and in that world. If you don’t enjoy the story, your reader isn’t going to enjoy it. If you love the story, if it is something you are passionate about, you are going to want to spend more time with it.

Writing what you love is no guarantee that your story will sell, but then there is no guarantee when you are writing to market or to trend. But chances are you will have greater success when you write something you are passionate about. Your love for the characters, the world, the story, will show through. Your readers are also going to see that passion, they are going to feel it, and be affected by it. And that is what makes readers buy books and recommend them to friends.

So what are you passionate about? Is it a specific genre? Is it a kind of character? Is it a political or social theme? Whatever it is, find it, make it yours, and write it.

About Sherry Peters

Sherry Peters is a writer and a Success Coach for Writers. She attended the Odyssey Writing Workshop and holds an M.A. in Writing Popular Fiction from Seton Hill University. When she isn’t writing, she loves to have adventures of her own including spending a year working in Northern Ireland. Mabel the Lovelorn Dwarf is her first novel. For more information on Sherry, visit her website at www.dwarvenamazon.com.

Twitter: @sherry_peters

Get Mabel the lovelorn Dwarf at
Amazon
Kobo 



Wednesday, May 22, 2013

Guest Blogger: Lee Allen Howard, author of Death Perception

Hi Trickyverse--as promised, here is some great writing advice from author Lee Allen Howard.  Below, you can also learn more about Lee and his writing and new novel Death Perception--T


Using Beta Readers to Evaluate Your Fiction


So, you’ve written a novel and done your revisions and polished it as best you can. Is it ready to send to an agent or publisher—or to publish yourself? Hard to tell.

Instead of crossing your fingers and exposing your manuscript to the risk of immediate rejection, why not first let someone read your book and provide feedback? If they spot any problems with story, plot, characters, or writing, you’ll have a chance to improve your work before you send it to someone who’ll buy.

Writers have been doing this forever, passing on their finished manuscripts to a close circle of trusted readers. But for the new novelist, it’s one more step along the path of learning to become a published and professional writer.
Whom should you choose? It’s best not to choose someone who isn’t an avid reader, who doesn’t like the genre you write in, or who won’t give you honest feedback (meaning both praise and constructive criticism).

A good beta reader is someone who reads widely, reads in your genre, and can discuss with intelligence the elements of fiction (characters, plot, description, setting, dialog, narration, etc.). Your best bet may be another writer whose back you can scratch at a later date.

If you’re working to deadline, it’s wise to set a date for the review to be completed. Just make sure you give your reader plenty of time to read, and agree on the deadline beforehand.

If there are specific issues you’re concerned about—for example, “Does Mrs. Gulliver seem like a fully formed character to you, and are her motivations understandable and sufficient to fuel the brutal murder she commits?”—you may want to communicate these up front so that your beta reader can be on the lookout as she reads. And make it clear that you’re looking for constructive feedback to make your story better, not just ego strokes.

If you send an electronic file (.mobi, .epub, .pdf, or other), make sure the copy is marked “BETA” on the cover page. Ditto for a printed version. And if your printed version is looseleaf, put it in a binder to keep the pages from getting lost. Invite your reader to make comments in the margins as she reads.
This is your precious intellectual property. You may want to include a copyright statement and warning on the title page and in the footer of every page, along with the specific reader’s name. 

For example:
On the title page:  “BETA COPY 1, <date>
In the footer of every page:  “Copyright 2013 <Your Full Name>. Duplication prohibited. <Beta Reader’s Name> - Beta Copy 1 - <date>


This way, if you create more than one version, even if a page is removed from the binder, you’ll know where it came from. Print a fresh version for your next reader with the footer changed appropriately.


Once you hand your reader the manuscript, leave him alone. Don’t call or text every day, asking about his progress and whether or not he likes it. The exception here is inquiring about progress as you near your agreed-upon deadline.

When the reading is done, it’s time for a talk with your beta reader. You may want to prepare and print a list of questions about characters, plot, description, setting, dialog, narration, and so on. If they fill it out, you have their answers in writing.

If you sit down to interview, make sure you put her at ease and encourage her to speak his mind candidly about his opinion. Then, let him talk, and keep your mouth shut. Resist the urge to jump in and explain everything (although you should answer questions when asked, or if you’re unclear about what they’re saying). Above all, turn off your emotions, turn on your smile, and THANK him for the hours he’s spent helping you.

If you get published, a nice touch is to mention him in the acknowledgments section, gift him a signed copy of the book, or take him to dinner. Or all three. If his feedback was valuable, you may want to call on him again.

Then, you evaluate the feedback. It may be a good idea to get another reader’s opinion before you overhaul your manuscript based on your first reader’s input. Fix obvious errors, naturally, before printing a fresh copy for your second reader. But remember that opinions are just that—opinions. No two readers will agree on everything about your book. However, if two or three readers point out the same problem, it’s a good sign that you need to do more work.

I followed this process with DEATH PERCEPTION, my latest supernatural thriller tinged with horror and peppered with dark humor. My beta readers were Kerri Knutson and Gary Reichart, whose feedback I appreciate very much. You’ll see them mentioned on the acknowledgments page with a few treasured others.
DEATH PERCEPTION is available in trade paperback, Kindle (.mobi) and Nook (.epub) at http://leeallenhoward.com/death-perception/.



BIO           
Lee Allen Howard writes horror, dark fantasy, and supernatural crime. He’s been a professional writer and editor of both fiction and nonfiction since 1985. His publications include The Sixth Seed, Desperate Spirits, Night Monsters, “Mama Said,” “Stray,” and DEATH PERCEPTION, available in various formats at http://leeallenhoward.com.

You can keep in touch with Lee on his Facebook author page: http://www.facebook.com/pages/Lee-Allen-Howard-author/117844011639457. Follow him on Twitter @LeeAllenHoward.